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"I want talented employees to think twice about who they're working for," Harbin said. With successful clone companies making quick globs of money, they can seem like exciting places to work and suddenly programmers, animators, and designers are paid lots of money to defer their talents while new ideas wither away in their back pockets. One of the less visible impacts of copycat games is in the subsequent draining of the talent pool. For the most part, these fast followers are still being rewarded with revenue, so there is some demand for it, but I don't think this current approach can be sustained for long." But instead we're seeing most people just chasing the same thing. "What I think would be better for the ecosystem is to have a lot of early development in a wide variety of genres, and then people deep diving on those. "There are very few adventure games, racing games, or simulation games." "For the core user, it's really only strategy games right now," Harbin said. These conflicts reflect the relative narrowness of social and mobile games so far - when there are only a handful of genres, it's hard to not step into other developer's turf, intentionally or otherwise.
Similar claims can and have been made about nearly every major social or mobile developer - they've just ripped someone else's idea off, swapped new sprites into someone else's game. Kabam countered that the game was, rather, a synthesis of four of their own previous games combined with a new science-fiction overlay. This summer, Harbin published an open letter arguing that Kabam's Edgeworld had borrowed over-liberally from Backyard Monsters. Kixeye has been one of the most vocal developers in drawing attention to creative conflict. It's just kind of more and more of the same." There are a ton of strategy games, there are a lot of city building games, there are now a ton of mafia games again. "Part of why we're not attracting the hearts and minds of the core gamer on Facebook is that a lot of these games are kind of the same. "We're worried that we'll pigeonhole the distribution vehicle, which in this case is Facebook, into something that's very narrowly focused," Will Harbin, CEO of Kixeye, said.
The bigger threat copycat games pose is in flooding a vibrant area of growth with creatively stagnant backwash, the precondition for a market collapse. It's hard to calculate just how much revenue is lost to fast-follow copies. copyright law affect mobile and social games? Are there strategies to protect one's work from cheap clones? One Sail and 100 Anchors Will the copycats eat everyone's future, or just wind up cannibalizing themselves? How does U.S. With these obstacles flattened by the technical limits of browser plug-ins and the need for commuter gratification, mobile and social games have become a feeding ground for people with resources and ambition but few novel ideas of their own.Īnd players find it difficult to tell an original from a copycat when both are represented with a mere app icon. Even with a regenerating health system, a developer would have to build out huge swaths of level geometry, design enemy intelligence, calibrate the world's physics, and rejigger a few mythic archetypes into something that seemed at least vaguely new. In earlier years, the scope and complexity of games formed a natural obstacle for copycats. Working with small teams on games with a simple few mechanics, it's been easier than ever to swap out a jewel for a balloon or a -Ville for a -Burg and let the millions fall where they may. In recent years, mobile and social games have been especially susceptible to creative theft.
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